by Zakary McGaha 2019 has been, and will continue to be, a pretty good year for horror movies. Like always, installments in already-established franchises are stealing most of the conversation, but there have been some notable new releases as well. So much so that it’s difficult to stay on top of things. Today’s review, however,
Book Review by Zakary McGaha In Zebra Summer, Zakary McGaha (author of Locker Arms and Soothing the Savage Swamp Beast), chronicles a very specific portion of his summer reading-schedule: horror novels published by Zebra Books. Whew…I took a little break from reading Zebra books. I’m glad I did. I read some awesome things like Tropic
by Bob Freville Inspired by John’s Colter’s Run, Attack in LA (formerly Parasites) is a harsh take on class war, culture shock, homelessness and blind hatred. Written and directed by our friend Chad Ferrin (the filmmaker behind Breaking Glass Pictures’ legendary cult horror epic Someone’s Knocking at the Door and the man at the helm
By Gordon B. White Silent Motorist Media: First and foremost, tell us about Impossible James. What is this novel about and what kind of people should read it? Danger Slater: It’s about death and birth and families and corporate greed and love and a whole bunch of other really weird horrible things. A terminally ill
“Cynthia” (2018) DVD Review by Bob Freville Those of us who were alive during the latter half of the 20th century can remember a time when babies were the focus of a wave of excellent and, oftentimes, atrocious horror movies. 1974’s It’s Alive!, 1982’s Basket Case and the respective follow-ups to each of those titles
by Ben Arzate “Carga” (Breaking Glass Pictures; directed by Bruno Gascon) In the wake of the collapse of the Soviet Union, Viktoriya, a young Russian woman, hitches a ride with a Portuguese truck driver named Antonio to find a better life in another country. However, she finds that she’s been tricked by him and falls
by Bob Freville Matthew Montgomery’s indie thriller Devil’s Path is a masterfully tense thriller whose seemingly simple premise—two male strangers meet up at a nature trail that’s the site of discreet gay hookups and end up being pursued by homophobes—quickly becomes something far more complicated and equally disturbing. On the face of it, the film’s
by Ben Arzate After an intense rehearsal, a French dance troupe throws a party to relax and unwind, enjoying the sangria that the choreographer leading the troupe made for them. However, they soon discover that the sangria has been spiked with LSD. Trapped in their rehearsal hall in the dead of winter, they try
by Zakary McGaha Warning: This review has spoilers. I don’t like writing bad reviews. I don’t enjoy using gigantic amounts of snark to tear things apart. But The Maze, a 2010 horror film directed by Stephen Shimek, deserves more than snark: it deserves super snark. The Maze is a film I used to see all
by Bob Freville Trying to get a film off the ground can be a particularly Sisyphean task and, as French philosopher Albert Camus once famously said, “You think I could bum a dollar or a smoke? C’mon, man, I’m good for it.” Making movies isn’t for the weak of resolve, but it may be for
