Back in January, we broke the news that cult writer/director Chad Ferrin (Someone’s Knocking at the Door, Easter Bunny! Kill! Kill!) was producing an original horror flick inspired by the work of H.P. Lovecraft. Three months later, the film has wrapped and post-production is underway on what can only be described as a very sticky,
Chad Ferrin has made seven feature films over the last two decades, each of them a celebration of the Grotesque. All of these movies shared a certain DIY ingenuity along with an obvious obsession with the limits of sanity. Despite their collective preoccupations, no two of Ferrin’s flicks were alike. The director brazenly leaped from
by Bob Freville Inspired by John’s Colter’s Run, Attack in LA (formerly Parasites) is a harsh take on class war, culture shock, homelessness and blind hatred. Written and directed by our friend Chad Ferrin (the filmmaker behind Breaking Glass Pictures’ legendary cult horror epic Someone’s Knocking at the Door and the man at the helm
by Bob Freville Genre fans are going to lose their shit when they get an eyeful of Exorcism at 60,000 Feet. A balls out tribute to horror’s golden age from the boys and girls at Girls and Corpses, Exorcism at 60,000 Feet is everything you would expect from the title and so much more. Director
Read Part I here. A figure in a giant bunny mask murders the wicked with whatever implement is at hand, sending them to the Lord at the wrong end of a broomstick or the working end of a power drill. When the masked avenger’s not slaughtering the damned, it’s defending a damaged young man
By Bob Freville A stoner med student receives a knock on his dorm room door. When he opens it a lanky woman, butt naked, stands before him, her pert nipples staring at him. This temptress wants to fuck and who’s this pipsqueak to say no? The med student invites her in and they get right
By Bob Freville The following review originally appeared in Kotori Magazine on June 27th, 2010. It is included here as part of our Films That Fell Through the Cracks column due to its relative obscurity. Like many of director Chad Ferrin’s delightfully warped grindhouse features, it has not been given the attention it deserves. Easter Bunny Kill!
